I presented my thoughts about community at the NSW Knowledgement Management Forum last night in Sydney. It was a fun event and is always interesting to hear other people’s perspectives on this enigmatic thing we call ‘community’. Below is the presentation with the original Ignite presentation for context.

Would love your thoughts.

Read other people’s thoughts about the event:
Thoughts and photos by Jye Smith
Thoughts byAmniisia
Twitter stream: #nswkm

Looking for more presentations? Try:
- Social media (aka Don’t use social media)
- Twitter. WTF? (ideas about Twitter for personal use)

Related articles:
Not all interaction is created socially
My Ignite presentation about building communities

If you enjoyed the read, please leave a comment. Feel free to follow me on Twitter

Related posts:

1. Not all interaction is created socially
2. My Ignite presentation about building communities
3. 8 tips for your Ignite presentation

I know that as soon as this goes live, I will be pointed to 10 posts that are either identical or very similar. I’m OK with that but I’m hoping there’s a little originality in this. I introduce you to The social media circle of virtue – 5 things you need to do to get your social groove rocking.

These 5 steps appear to be common to most successful online social types. This isn’t necessarily a linear process (although it probably could be) but if you’re new to the space and want to get busy then this framework could prove a useful disciplinarian.

1. Publish
Objective: Publish stuff worth people’s attention and time.
Activity level: Maintain a good level of frequency. On Twitter, commit to at least 5 tweets per day. If you’re blogging or using Flickr, try to post 3-5 things at least per week. If you’re on YouTube, you could probably get away with one per week.

2. Promote
Objective: Get as many people to look at what you’ve created as possible and encourage them to share it.
Activities: Tweet it, add it to your Facebook status (a few times throughout the day and delete the old statuses), share the link on Facebook, change your LinkedIn status, email people personally and in small groups, talk about it, social-bookmark it (the dynamics of social bookmarking is a whole other story). On Flickr, add your photos to groups, make sure you set them up with keywords in the tags, headlines and description.

There are hundreds of other techniques – suitability will depend to a degree on your subject matter. But use your immediate social networks – that’s where you should have most goodwill.

3. Comment
Objective: Be social and drive traffic to your content.
Activities: Post comments on like-minded blogs, on Flickr photos – because you’re interested and want to engage with that person, not simply because you’re seeking traffic. Reciprocity starts with a bit of give.

4. Contribute
Objective: Generate goodwill and reputation.
Activities: Whatever you think you’re good at, find a host and give it away – a website, a blog, a forum, an event. Anything, anywhere.

5. Network
Objective: Build and cement real relationships.
Activities: Communicate within then outside of the channels you may deal like-minded people in. Meet them offline. Work out if you can collaborate, co-contribute.

Extremely basic thoughts but I’ve come across a lot of people who are only doing 1-2 of these things. If you’re on of them, give the others a go this week and let us know how you went.

If you enjoyed the read, please leave a comment. Feel free to follow me on Twitter

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When I used to write for music magazines, I wrote a lot under the pen name, LoQuay, and I’d use my real name for my radio show (The Mothership Connection, 2SER – no longer running).

There are several reasons I used the pen name:

1. I used to MC and an MC ‘name’ – like a graffiti tag – is your brand: it differentiates you, provides insight into what you’re about

2. I thought it was a cool thing to do – I was trying to be individual within a group context

3. With a made-up name I could role play a little
(BTW when I interviewed people on my radio show I preferred calling them off-air by the name their mum called them to try to keep them out of persona – I still believe it helped achieve a more authentic energy for the interviews)

But after a few years, I decided to put everything under my real name – and it wasn’t to become famous under my birthname.

Why?

1. I kept finding that writers who submitted articles to my magazine (Stealth) under pen names acted too much in their writing (insert ghetto slang)

2. I found myself making more effort with my writing if I couldn’t hide behind a stage name – ie writing under my real name made me feel more accountable to my ideas – and spend more time with them

So, I’m curious: why do you use your real name or a made-up name online?

If you enjoyed the read, please leave a comment. Feel free to follow me on Twitter

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1. My Ignite presentation about building communities
2. Slingshots and paintbrushes: Joe Trippi’s real point
3. Not all interaction is created socially

Be warned – reading this post may result in you losing yourself in abstraction.

Yesterday I posted up my Ignite presentation about building communities.

One of the points I made is that anonymity is antithesis to community – and it led to some interesting debate.

But first, to explain: I believe that communities are based on relationships that are anchored in some sort of authenticity. Now, I’m happy for the idea of authenticity to stretch to a persona that may be different to how someone really is face to face, offline (eg a pen name, stage name). And, I believe that accountability is the foundation for a thriving, constructive community.

The diagram below – while tongue in cheek – makes my point conveniently.

So, in the comments to my Ignite presentation about building communities, Julian Cole (AdSpace Pioneers) made an interesting point about Campaign Brief and a few other forums which allow participants to post anonymously. And I started thinking…

1. Not all activity that happens via social technology is social
Just because someone posts something on a message board or blog does not make that thing social. The best analogy that I could find – and this relates a little bit to some of the behaviour on Campaign brief – is this: a telephone, one would argue, is inherently social but if I phone someone, say my piece then hang up, I might be making a social point (or not!) but I’m not really using the telephone socially, to socialise. Or, if I walk down a street shouting through a megaphone to crowds of people… it all looks social, but my purpose is not ‘social’ (yes, it may be one of ‘social impact’ but not of ‘social bonding’).

2. Not all social activity is validated in the sphere it takes place
Would love your thoughts on this but I believe that most social activity has a social goal. We want to be liked, respected, acknowledged. We want to learn, be inspired, be accepted. Having seen this sort of behaviour in music forums over the years, some anonymous, antagonistic behaviour within an online community may be to achieve a social goal in a separate online or offline community (“Look, what I did. I threw some stones over the wall.”). So anonymity in one forum (eg graffiti writers on trains) may actually be claimed behaviour in another forum (eg graffiti writer showing photos of his piece to friends at a party) – in other words, anonymity may be superficial.

This is starting to get way too theoretical but I wanted to throw these thoughts out there. Talk back!

If you enjoyed the read, please leave a comment. Feel free to follow me on Twitter

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Presenting at Ignite was really, really cool. It has inspired me to never make a crap presentation or sit on a boring panel EVER again (hold me to it). Here’s the presentation with a quick dump quasi-verbatim of my main points. Would love your feedback.

If you’re putting a presentation together yourself, you may like to read these
8 tips for your Ignite presentation.

Slide 1: Intro

Slide 2: I make a joke about how you and I both don’t like 50 Cent but to not confuse 50 Cent with the hip hop culture I’ve been connected to. It’s really funny.

Slide 3: In 1999 I established Stealth Magazine. The magazine was dedicated to underground, independent hip hop culture. We became full colour, attached a bonus CD-Rom and, at one time, had global distribution (through the likes of Tower Records)

Slide 4: The website was set up in 2000 but has been running primarily as a message board since around 2004. In 2008, these were some of our statistics… I didn’t get to spend a lot of time on the website last year – possibly 2-4 hours per month. These stats are from Google Analytics.

Slide 5: Since 2002, we’ve had a message board on the website. These are the stats. Compared to more mainstream music website, the number of members is relatively low but they’re highly engaged and a lot of them are in the scene – making music, painting, writing, etc. 70% of our members have posted at least once.

Slide 6: So, who’s this? This is Dr Dre a few years before he joined NWA and became a gangster rapper. The point: credibility is earn-able. It’s easy to lose but it is achievable.

Slide 7: And the best way to become credible – in any scene – is to pay your dues. Work hard for the cause, get your skills up, learn the language, love it. A bit of self-martyrdom will prove your point – whether that’s poster-ing for your event at 4am or organising a free gig for a bunch of other groups to perform at.

Slide 8: Influence is easy to mis-read if you’re new to a scene or are an outsider. You need to take time – watch, learn, listen. Once you understand who the constructively influential people are, collaborate with them… but be focused and selective.

Slide 9: When I was younger, I used to come across these guys in their 30s who’d surround themselves with teenagers. I’d call them King of the Kids. As a group, they’re loud, look big, look influential but they’re very difficult to collaborate with in any meaningful way. They’re not what I’d call constructively influential.

Slide 10: Anonymity is antithesis to community. Whether you’re a brand or an individual, put your name to stuff and expect the same from the community you’re building. Don’t ‘seed’ ‘viral’ stuff anonymously – that’s just fast food, high-sugar diet advertising. Put your name to everything you believe in or don’t do it. Relationships take effort and time.

Slide 11: I believe that accountability drives authenticity. If you know my real name or my stage name (one that I am attached to), if you know where I live, if you know where I hang out, chances are that I’ll be more ‘real’ with you. This is one reason I used to insist that people who wrote for Stealth (unless they were known figures) use their real names. It makes people accountable to their ideas.

Slide 12: Authenticity leads to stickier relationships because we all know what we’re buying into with each other (same with brands – don’t be vanilla!). And then the outcome of all of that is an engaged, real community… one that believes in itself, in its members.

Slide 13: Drama and conflict – as long no physical threats are made – can actually build community. It forces fast thinking and changing about ideas, it brings people together – even if just a sub-set of the community. It brings website traffic, new readers, new thinking.

Slide 14: We’ve had a tonne of beef on the message board over the years. One of the weirder stories started with the community dissing a book about the local hip hop scene in 2003. In 2004, a journalist then got dissed about an article he wrote. The academic (from 2003) read the journalist diss and then wrote a 17-page article on the social hierarchy of the board, quoting people at length. The community found the article, dissed the academic again, and, finally, the academic joined the conversation. Interesting.

Slide 15: Another key thing about running a community is the realisation that it’s not about you. It’s about them, your members. You need to facilitate, inspire, encourage. A light touch most often is all that’s required.

Slide 16: This J-Curve from Bazaar Voice was from some research they did across thousands of consumer reviews. It shows that people are mostly positive when they express themselves online. It’s not hardcore research and has plenty of limitations but it supports my gut feeling that communities of people are mostly optimistic.

Slide 17: And because they’re optimistic, you can find the active and responsible ones and invite them to become regulators… as well as allow the community to self-regulate. A community’s vested interest is in it working well. A swing to the negative for a period of time will correct itself.

Slide 18: Get off the computer and meet your community face to face. Offline interaction builds online interaction.

Slide 19: Events are a great way to do this because they create content opportunities, generate traffic, show what you stand for, ferment shared experiences.

Slide 20: The points in summary:
1. Pay your dues
2. Understand the dynamics of influence
3. Keep it real
4. Non-physical beef is ok
5. Pass the mic
6. Let people self-regulate
7. Get off the computer

Slide 21: But the secret to everything we do… is this Flavor Flav quote:
“All you gotta do is just stay positive and love people. Whatever you give away is going to come back ten times. So, if you give it away with intentions of trying to swindle somebody, in the long run, you may get it but it ain’t gonna last you a long time. But if you give it from your heart ’cause you know this is what must be done that’s when shit can happen.’” Full Flavor Flav interview.

Looking for more presentations? Try:
- Social media (aka Don’t use social media)
- Twitter. WTF? (ideas about Twitter for personal use)

If you enjoyed the read, please leave a comment. Feel free to follow me on Twitter

Related posts:

1. 8 tips for your Ignite presentation
2. An indefinition of community plus more thoughts about anonymity
3. Content that converts – an ADMA Forum presentation